{"id":"asset_77db1fc4d995","source_id":"c124fd8b-5812-4cff-a0ae-56f8156bd735","origin":"dropbox","type":"text/plain","category":"text","name":"09-field-recording-library.txt","path":"/09-field-recording-library.txt","size_bytes":5684,"title":"09 field recording library","description":"A reference library of fictional field recordings with detailed technical documentation for sound designers. It catalogues recordings from specific locations and mechanisms—architectural spaces, weather phenomena, mechanical devices—specifying equipment, duration, acoustic characteristics, and intended creative applications.","extracted_text":"FIELD RECORDING LIBRARY — SESSION NOTES, VOLUMES 3–5\nOriginal sound-design documentation. Recordings and locations are invented;\nwritten as reference material for sound designers and writers.\n\nRig unless noted: matched pair of small-diaphragm omnis, ORTF, 96 kHz/24 bit,\n32 dB self-noise floor on the preamp, wind protection as stated.\n\n── VOL 3 · ARCHITECTURAL ──────────────────────────────────────────────────────\n\n3.04  GRAIN ELEVATOR, EMPTY, INTERNAL\n      Duration 14:20 · Blimp, no fur · 06:10 local\n      A 40 m concrete cylinder, empty, one open hatch at the top. The reverb\n      tail is 11 seconds and almost perfectly diffuse — no discrete early\n      reflections at all because there are no parallel flat surfaces, just\n      curve. It sounds *wrong* to anyone used to rooms. Several people I have\n      played this to describe it as \"outdoors but enclosed.\"\n      The recording is mostly a single handclap and then silence, and the\n      silence is the useful part.\n      Use: any inter","attributes":{"dropbox_file_id":"id:1EL26tM-qg4AAAAAAAAAGg"},"usable_for":["research reference","content source","writing style reference","fact extraction"],"price_sats":{"card":0,"full":1100},"content_available":true,"available":true,"addedAt":1787871848611}